kaun kehta hai mohabbat ki zubaan hoti hai..
yeh hakeekat to nigahon se bayaan hoti hai
woh na aaye to satati hai khalish si dil ko..
wo jo aaye to khalish aur jawan hoti hai
rooh ko shaad karey dil ko jo purnoor kare..
her nazaare me ye tanveer kaha hoti hai
zabt sailaab-e-mohabbat ko kaha tak roke..
dil me jo baat ho aankhon se bayaan hoti hai
zindagi ek sulagti si chita hai saahir..
shola banti hai na ye bujhke dhuwan hoti hai
kaun kehta hai mohabbat ki zubaan hoti hai..
yeh hakeekat to nigahon se bayaan hoti hai
Play Ghazal to listen online
[sc_embed_player fileurl="http://www.urdu-shayari.in/mp3/Jagjit-Chitra-Singh-Kaun-Kehta-Hai.mp3&q…;]
Sahir Ludhianvi, born as Abdul Hayee, was a visionary poet, songwriter, and film lyricist who left an indelible mark on the world of Urdu and Hindi poetry. Renowned for his fiery verses, socio-political commentary, and passionate expressions of love and longing, Sahir's poetry continues to resonate with audiences even today.
Born on March 8, 1921, in Ludhiana, Punjab (now in present-day India), Sahir was deeply influenced by the socio-economic and political turmoil of his times. He witnessed the partition of India in 1947, which left an indescribable impact on his psyche. This experience fueled his poetry, making him an ardent voice for the underprivileged and a staunch critic of the societal inequities that prevailed.
Sahir's poetry was characterized by its raw honesty and emotional depth. His words carried a unique blend of rebellion, melancholy, and a quest for social justice. He fearlessly exposed the hypocrisy and inequalities of his era, challenging the prevailing norms and demanding change. Whether it was poverty, corruption, or the struggles of the common man, Sahir's verses became a rallying cry for the downtrodden.
His powerful verses resonated not only in the literary circles but also found their way into the world of Indian cinema. Sahir wrote lyrics for numerous Bollywood films, collaborating with legendary composers such as S.D. Burman, Ravi, and Khayyam. His iconic songs, like "Yeh Duniya Agar Mil Bhi Jaaye," "Main Zindagi Ka Saath Nibhata Chala Gaya," and "Kabhi Kabhi Mere Dil Mein," showcased his ability to combine poetic depth with mass appeal.
Sahir's romantic poetry, too, struck a chord with listeners. His evocative imagery, intense emotions, and poignant expressions of love became an integral part of the popular culture of the time. He captured the intricacies of relationships, the pain of separation, and the longing for companionship in a way that tugged at the heartstrings.
Beyond his poetic genius, Sahir Ludhianvi's life was as fascinating as his verses. His personal relationships, particularly his tumultuous love affair with the renowned writer Amrita Pritam, added a layer of complexity to his persona. Their unrequited love and the bittersweet emotions it evoked found an outlet in their respective writings, making them eternal muses for each other.
Sahir's contribution to Urdu and Hindi literature has earned him numerous accolades, including the prestigious Filmfare Award for Best Lyricist multiple times. His legacy lives on, inspiring generations of poets, lyricists, and music lovers to explore the power of words to effect change and touch the human soul.
Today, Sahir Ludhianvi's poetry continues to be celebrated and recited, not just in the literary world but also in cultural gatherings, universities, and poetry sessions. His verses, etched in the annals of Indian poetry, serve as a reminder of the enduring power of language and the unwavering spirit of a poet who fearlessly spoke truth to power.
Sahir Ludhianvi's words remain relevant in our ever-changing world, reminding us of our responsibility to stand up against injustice, to empathize with the struggles of others, and to find solace and inspiration in the beauty of poetry. As we cherish his legacy, let us be reminded that Sahir's pen continues to be mightier than the sword, and his verses continue to ignite a flame of revolution and introspection in our hearts.
Na main tum say umeed rakhoon dil nawazi ki,
Na tum meri taraf daikho ghalat andaaz nazron say
Na meray dil ke dharkan larkharay Teri baaton say
Na zahir ho tumhari kashmakash ka raaz nazron say
Tumhain Bhi koi Uljhan rokti hai paish qadmi say
Mujhey bhi log kehtay hain yeh jalway para-ay hain.
Meray humrah bhi ruswa-e-yan hain meray maazi ki
Tumharay saath bhi guzree hui raaton kay sa-ey hain.
Ta-Aruff rog ho jaey tau usska bhoolna behtar,
Ta-Alluq bojhe ban jaey tau uska torna acha.
Woh afsanaa jissay anjaam tak lana na ho mumkin,
Ussay ik khoobsoorat mor day kar chorna acha.
Chalo ek baar phir say ajnabi ban jayen hum dono
chehre pe KHushi chhaa jaati hai aankhon me.n suroor aa jata hai
jab tum mujhe apna kahte ho apne pe Ghuroor aa jata hai
tum husn ki KHud ik duniya ho shaayad ye tumhe.n maaluum nahi.n
mahfil me.n tumhaare aane se har chiz pe noor aa jata hai
ham paas se tum ko kya dekhe.n tum jab bhi muqaabil hote ho
betaab nigaaho.n ke aage parda saa zaroor aa jata hai
jab tum se mohabbat ki ham ne tab jaa ke kahi.n ye raaz khula
marne kaa saliqa aate hii jine kaa sho.uur aa jata hai
mohabbat tark ki mai ne garebaaN si liya mai ne
zamaane ab to Khush ho zahar ye bhi pi liya mai ne
abhi zinda huN lekin sochta rahta huN Khalvat men
ki ab tak kis tamanna ke sahaare ji liya mai ne
unhe apnaa nahin sakta magar itna bhi kya kam hai
ki kuchh muddat hasin Khaabon mein kho kar ji liyaa mai ne
bas ab to daaman-e-dil chhoD do bekaar ummido
bahut dukh sah liye mai ne bahut din ji liya mai ne
Sahir Ludhyanvi
ahl-e-dil aur bhi hain ahl-e-vafa aur bhi hain
ek ham hi nahin duniya se Khafaa aur bhi hain
kyaa hua gar mere yaaron ki zabaanen chup hain
mere shaahid mere yaaron ke siva aur bhi hain
ham pe hi Khatm nahin maslak-e-shorida_sari
chaak-e-dil aur bhi hai chaak-e-qabaa aur bhi hain
sar salaamat hai to kyaa sang-e-malaamat ki kami
jaan baaqi hai to paikaan-e-qazaa aur bhi hain
munsif-e-shahar ki vahdat pe na harf aa jaaye
log kahte hain ke arbaab-e-jafaa aur bhi hai.n
Sahir Ludhyanvi
aap bevajah pareshaan-sii kyo.n hai.n maadaam
log kahate hai.n to phir Thiik hii kahate ho.nge
mere ehabaab ne tahaziib na siikhii hogii
mere maahaul me.n i.nsaan na rahate ho.nge
nuur-e-saramaayaa se hai ruu-e-tamaddun kii jilaa
ham jahaa.N hai.n vahaa.N tahaziib nahii.n pal sakatii
mufalisii hiss-e-lataafat ko miTaa detii hai
bhuuk aadaab ke saa.Nche me.n nahii.n Dhal sakatii
log kahate hai.n to logo.n pe t’ajjub kaisaa
sach to kahate hai.n ki naadaaro.n kii izzat kaisii
log kahate hai.n – magar aap abhii tak chup hai.n
aap bhii kahiye Gariibo.n me.n sharaafat kaisii
lek maadaam! Bahut jald vo daur aayegaa
jab hame.n ziist ke adavaar parakhane ho.nge
apanii zillat kii qasam, aap kii azamat kii qasam
hamako taa’ziim ke me_aar parakhane ho.nge
hamane har daur me.n tazaliil sahii hai lekin
hamane har daur ke chehare ko ziyaa baKhshii hai
hamane har daur me.n mehanat ke sitam jhele hai.n
hamane har daur ke haatho.n ko hinaa baKhshii hai
lekin in talKh mubaahis se bhalaa kyaa haasil
log kahate hai.n to phir Thiik hii kahate ho.nge
mere ehabaab ne tahaziib na siikhii hogii
mere maahaul me.n i.nsaan na rahate ho.nge
Sahir Ludhyanvi
MEANING
——–
[maadaam=Urdu equivalent of Madam]
[ehabaab=friends; maahaul=environment/surrounding]
[nuur-e-saramaayaa=light of wealth; ruu-e-tamaddun=face of civilization]
[jilaa=shine/brightness; hiss-e-lataafat=finer feelings]
[aadaab=genteel/civilized/politeness]
[naadaaro.n=poor]
[lek=lekin]
[ziist=life; adavaar=values; zillat=humiliation]
[azamat=greatness; taa’ziim=respect; me_aar=level]
[tazaliil=insult; ziyaa=brightness/brilliance]
[talKh=bitter; mubaahis=arguments]